Thursday, 7 December 2017
(Several gathered here)
AQA COURSEWORK TRAINING VIDS
A Dr Who vid on uStream, then a YT playlist:
Friday, 1 December 2017
Doctor Strange was criticized for whitewashing with the Tilda Swinton role. Here we see Disney casting an Asian actor rather than a Caucasian (white) star in Mulan.
Hollywood has attracted widespread criticism for casting white actors to play Asian characters. Tilda Swinton, Scarlett Johansson and Emma Stone have all played characters who were Asian in the source material.
Liu Yifei gets starring role in Mulan, as tide turns against 'whitewashing' https://www.theguardian.com/film/2017/nov/30/mulan-tide-turns-against-whitewash-as-liu-yifei-gets-starring-role?CMP=Share_AndroidApp_Blogger
Monday, 20 November 2017
Tuesday, 7 November 2017
For more than 50 years, Ken Loach has been making social-realist dramas tied together by a prevailing thread — the compassionate observation of the struggles of the working class to hold onto such fundamental dignities as a home, a job and food on the table within a hostile system that often views them unfairly as the cause of their own misfortunes. His latest feature, I, Daniel Blake, is quintessential Loach, which means you have a good idea of what you're getting as soon as the core elements are established. And yet while the framework and perspective are familiar, the veteran Brit director's films can still have the power to grip us in an emotional chokehold. (Hollywood Reporter)
This is the type of thing you need to research and analyse: the movie was partly funded by government grants (National Lottery payments through the BFI) - not loans, grants - and is available to stream through platforms such as BFI Player (which is highly selective).
This is the guidance the exam board have given to you on this CSP, which is focused on Key Concept INDUSTRY only.
A NOTE ON BUDGET
In common with many Indie productions, there is no quoted budget to be found online. However, the cinematographer notes they saved £150k by filming digitally for the 1st time; there was a £300k FilmFund (BFI, funded by the UK government/National Lottery) grant and another €100k grant from Creative Europe, as well as tax breaks for filming in Britain and Belgium (as a UK, France, Belgium co-production!). Shane Meadows' 2006 social realist This is England cost Warp Films £1.5m, while Ken Loach's 2009 Looking for Eric was £4m and the 1920s war drama The Wind That Shakes the Barley a similar €6.5m.
Lets estimate IDB at a £2m budget, lacking the expense of Cantona or 1920s period costume, props and action. The important point, and I'm quoting the chief examiner in an email to me, is:
The production budget is unknown but certainly only a tiny fraction of the $165 million it cost to make Dr Strange. ...
Students need to know that in terms of actual production budget IDB costs were low, particularly in relation to Dr Strange.
Director Ken Loach has a long, distinguished career, as reflected in the recent documentary about him and his films:
Here's a BFI 4min overview;
NB: it contains swearing, reflecting the frank, realistic style of his movies:
Loach is known for his social realist movies:
- low budget
- often reflected in handheld cinematography (quicker and cheaper to film)
- no stars (he often even uses non-actors)
- non-franchise (Warp's This is England is a rare exception)
- no CGI/SFX
- minority/underprivileged central protagonist (eg working class/poor, sexual or ethnic minority)
- as such people are under-represented in mainstream, commercial cinema, there is government funding to support such films
- but as Loach usually refuses to write a script, he typically finds the production budget by pre-selling rights to France, Germany and other European markets where his films have a following
- he also usually picks up funding from the BBC or Film4 (part of the Channel 4 group)
- he can struggle to get his films into UK cinemas (theatrical release); they are usually stuck in the arthouse circuit, meaning low box office prospects - but IDB was an exception...
- social realist movies explore serious social issues
- this lack of light relief is another reason these movies rarely make much money, but...
- Billy Elliot, The Full Monty, Secrets and Lies and Slumdog Millionaire are all exceptions to this general rule
- a filmmaker with a recognisable style who...
- tackles serious social and cultural issues in their work
Monday, 6 November 2017
Monday, 23 October 2017
Here's a great article which provides a range of examples, from the big terrestrial channels (thats BBC1, BBC2, ITV1, C4, C5 - though the BBC doesn't carry any ads as its funded by a compulsory license fee of around £150 a year per household) to smaller, niche digital channels...
TheDrum on TV ad costs.
Examples: a 3-second ad on primetime ITV1 can cost £30,000, but on digital channels such as the Horror Channel and Animal Planet daytime ads can cost less than £50 - you can even get an ad on some of BT Sports' less popular strands for ... £5!!! The article gives the rate for Hollyoaks on C4, a show with a similar audience to BBC3's Class.
Friday, 20 October 2017
Its tempting to suggest viewing the EdS example with the audio off, but sadly you couldn't analyse the editing properly then...
There are many ways to approach analysing one, or comparing two, music videos. The key for you is to ensure that you give SOME consideration to ALL 4 Key Concepts: Media language, Audience, Representations, Industry ['Institutions'] - MARI Christmas!
Lets start with the one that may seem least obvious, INDUSTRY.
THE TWO VIDEOS
THE SMITHS: "This Charming Man"
ED SHEERAN: "Bibia B Ye Ye"
APPLYING KEY CONCEPT INDUSTRY
Your 1st question is: major label or Indie?
However, you can also look at the distribution of the video itself; its number of views; and the same for the track on the likes of Spotify.