****Exam board (AQA) guide****
You can also find a complete online course, with videos of lectures, at http://virtual-sf.com/.
|6 classic sci-fi films. Reading is important ... but so is VIEWING!!!|
Some of the following will be available through the Library shortly.
You can find a huge list of books and articles at this US university's Library website.
Used for fictional works that rely on advanced technology, scientific development, or encounter with alien life, to make the narrative possible. Stories frequently have a prophetic nature, forecasting how technological changes may impact society in the years to come. The likely future is often seen as dehumanized, dystopian, or post-apocalyptic. May be set on both Earth or in outer space, and (most often) in the future, although sometimes set in the present or past. Horror may overlap with Science fiction when advanced technology or alien life prove malevolent and terrifying. [WorldCat]One of your key research tasks is to come to a clear, detailed definition of the genre ... but you will find that there are many opinions on this ... The above quote is a good starting point. Start to consider which films provide examples of fitting this ... and any that might challenge it!!!
|The monomyth ... see Carl the Critic link!|
The Wiki. (History of the genre here)
BFI (British Film Institute) - detailed and not an easy read, but very useful. You will also find detailed reviews of many sci-fi films linked along the right.
BBC: sci-fi is very hard to accurately define!
More on the BBC site.
Quotes on defining the genre (not a great source, but some useful quotes)
Carl the Critic - detailed guide including useful narrative theory: Campbell and the monomyth (hero's journey)...
Discussion on the genre.
Popmatters - problems with the genre and what you can learn from the film Moon.
3 reasons why sci-fi is the greatest genre.
James May - loooong (but useful even if you only rad some of it) essay on the relationship between sci-fi literature and films.
FirstShowing-net: Is sci-fi still changing? Is this a golden era?
Native Americans in sci-fi.
Bladerunner as sci-fi.
Sci-Fi tropes (cliches) [contains some strong language]
Jump Cut journal [complex!!] on sci-fi and other genres.
Why the Dark Knight is really a sci-fi film.
A match made in heaven: sci-fi and horror [be aware if you click on any of the video links: many of these are trailers for 18-rated films]
TBC: Women in sci-fi.
Guardian (UK quality newspaper) articles on sci-fi and fantasy.
Best sci-fi/superhero films of 2016...
Latest sci-fi ranked by MetaCritic.
How sci-fi film has evolved since 2000. Includes useful, fairly brief, comparisons of movies from different years.
2015 films (Discovery)
Why 2014 was a good year for sci-fi.
Rolling Stone magazine's top 20 of the 21st century.
FilmSchoolRejects - The Martian and why sci-fi fails at the Oscars [features a famous, strongly worded, quote from that film]
CRITICS + AUDIENCE LISTS
TimeOut (UK magazine) expert panel pick top 100.
Look to the right and you will see more useful articles.
AFI (American Film Institute) all-time Top 10 (sci-fi here) in their judgement
Most popular on IMDB.
Guardian all-time top 10 (UK broadsheet newspaper)
Top 25 of all-time.
Top 25 in pictures (clickable gallery)
IGN top 25.
TechRadar Top 10.
io9 - 50 everyone should see.
SciFiFilmHistory - a dedicated site.
CinemaBlogography - how sci-fi grew to be a key film genre.
List in German.
List in French.
Guardian: Soviet sci-fi you should see.
You can find lots of PowerPoints on this genre, such as the example below
TIPS FOR READING
There aren't many books that are pitched at GCSE level unfortunately! So, it is unlikely you would want to try reading much from the books below, but you could try a few chapters - including the introductions or conclusions, always useful to get key definitions and arguments! You can use googlebooks or Amazon's look inside tool to preview the writing style and have a look at the chapter titles or index: you could see if there is anything specifically on a film you are researching.
|I used the look inside tool to preview the writing, but also to directly access content that I can read as research without buying the book!!!|
Pocket Essentials Science Fiction Film - these are short, small (yes, pocket-sized!) books that avoid the academic jargon of many of the books below. The quality of the series is variable, and I don't (yet) have a copy of this one to judge for myself, but they are generally helpful and digestible, mixing chapters defining a genre with its history and case studies of specific films, directors, companies or eras.
They are also out of print, so you would probably need to get a 2nd hand copy via eBay or Amazon UK (for example).
Pocket Essentials is a dynamic series of books that are concise, lively, and easy to read. Packed with facts as well as expert opinions, each book has all the key information you need to know about such popular topics as film, television, cult fiction, history, and more. Chronicling and discussing the vast spectrum of science fiction movies, from Metropolis to The Matrix, Brazil to Blade Runner, Dark Star toStar Wars, 2001 to CE3K, this book analyzes and rates the most seminal science fiction films of all time. Including Hollywood blockbusters, international flavors, experimental oddities, low-budget curios, animation, humor, and parody, no star is left unturned
Rickman [ed.] (2004) The Science Fiction Film Reader. This features short chapters written by filmmakers and industry insiders tracking the history of the genre and looking at some themes.
This lavishly illustrated collection of essays begins with 'Cinematic Views', written between 1907 and 1929 by the great film pioneer Georges Melies. It goes on to explore the foundation of science fiction films in writings from the 20s and 30s by such masters of word and image as H G Wells, Luis Bunuel and Jorge Luis Borges. With the genre established and flourishing, the book moves in a variety of directions -- toward outer space, as a subject; different periods in film history, each with its own style and dominant themes; the work of specific directors and writers and, finally, some classic science fiction films of the recent past.Hochscherf et al. [eds.] (2011) British Science Fiction Film and Television: Critical essays.
Written by international experts from a range of disciplines, these essays examine the uniquely British contribution to science fiction film and television. Viewing British SF as a cultural phenomenon that challenges straightforward definitions of genre, nationhood, authorship and media, the editors provide a conceptual introduction placing the essays within their critical context. Essay topics include Hammer science fiction films, the various incarnations of Doctor Who, Stanley Kubrick's A Clockwork Orange, and such 21st-century productions as 28 Days Later and Torchwood.
Sobchack (1997) Screening Space: The American Science Fiction Film. (google) User review: 'A brilliant book - written by an academic who is also a science fiction film buff. Her style is clear and engaging, and her analysis of science fiction - the first of its kind - is interesting and challenging. This was ground breaking work which inspired many others in the field, and remains relevant today - not just in terms of its content, but because Vivian's approach is stimulating, inspiring, and approachable.'
This text attempts to shape definitions of the American science fiction film, studying the connection between the films and social preconceptions. It covers many classic films and discusses their import, seeking to rescue the genre from the neglect of film theorists.
Johnston (2013) Science Fiction Film: a Critical Introduction (googlebooks) - some bad reviews: 'The content of this book could be fa[s]cinating but it is mired in such stodgy academic language it is barely readable. It looks like someone has put an attractive cover on an MA disertation and left it at that.'
(Review) Sci-Fi Film as a Cult Text.
Telotte (2001) Science Fiction Film (Genres in American Cinema) - use Amazon's 'look inside'
Science Fiction Film examines one of the most enduring and popular genres of Hollywood cinema, suggesting how the science fiction film reflects attitudes toward science, technology, and reason as they have evolved in American culture over the course of the twentieth century. J. P. Telotte provides a survey of science fiction film criticism, emphasizing humanist, psychological, ideological, feminist, and postmodern critiques. He also sketches a history of the genre, from its earliest literary manifestations to the present, while touching on and comparing it to pulp fiction, early television science fiction, and Japanese animé. Telotte offers in-depth readings of three key films: Robocop, Close Encounters of the Third Kind, and THX 1138, each of which typifies a particular form of science fiction fantasy. Challenging the boundaries usually seen between high and low culture, literature and film, Science Fiction Film reasserts the central role of fantasy in popular films, even those concerned with reason, science, and technology.
Bould (2012) Science Fiction (Routledge Film Guides) - use Amazon's 'look inside'.
Cornea (2007) Science Fiction Cinema: Between Fantasy and Reality - use Amazon's look inside. User review: 'i am a film studies student in london and this book was recommended by one of my tutors for the science fiction module. i can definetly say this is essential reading for the course but get the feeling that the interested layman would also find it enjoyable. it is written well and avoids technical jargon to put its concise points across. well worth it!' Another: 'While preparing to teach a class on The Science Fiction Film, I looked at a number of texts on the subject and chose Cornea's book. ... I felt it was the best of a bad lot. ... Cornea, an obvious feminist, wasted a lot of print in my opinion on gender issues.'
This major new study offers a broad historical and theoretical reassessment of the science fiction film genre. The book explores the development of science fiction in cinema from its beginnings in early film through to recent examples of the genre. Each chapter sets analyses of chosen films within a wider historical/cultural context, while concentrating on a specific thematic issue. The book therefore presents vital and unique perspectives in its approach to the genre, which include discussion of the relevance of psychedelic imagery, the 'new woman of science', generic performance and the prevalence of 'techno-orientalism' in recent films. While American films will be one of the principle areas covered, the author also engages with a range of pertinent examples from other nations, as well as discussing the centrality of science fiction as a transnational film genre. The films discussed include: "The Day the Earth Stood Still", "The Body Snatchers", "Forbidden Planet", "The Quatermass Experiment", "2001: A Space Odyssey", "Demon Seed", "Star Trek: The Motion Picture", "Star Wars", "Altered States", "Alien", "Blade Runner", "The Brother from Another Planet", "Back to the Future", "The Terminator", "Predator", "The One", "Dark City", "The Matrix", "Fifth Element" and "eXistenZ". Its key features are: it is thematically organised for use as a course text; it introduces current and past theories and practices, and provides an overview of the main themes, approaches and areas of study; covers new and burgeoning approaches such as generic performance and aspects of postmodern identity; and, includes new interviews with some of the main practitioners in the field: Roland Emmerich, Paul Verhoeven, Ken Russell, Stan Winston, William Gibson, Brian Aldiss, Joe Morton, Dean Norris and Billy Gray.